Foto_Simone Heilgendorff
Dr. Simone Heilgendorff Project Leader and Researcher on Festival "Wien Modern"
  • Erzabt-Klotzstraße 1, Room 2109
  • 5020 Salzburg
Tel:
+43 (0) 662 / 8044-4674
Fax:
+43 (0) 662 / 8044-4660
simone.heilgendorff@sbg.ac.at ConTempOhr at "Schwerpunkt Wissenschaft und Kunst"

Main focus of research: 

New (art) Music and music of the Baroque period, focusing on musical analysis, analysis of cultural connotations, performance practice, and the culture of musical interpretation.

Curriculum vitae:

Simone Heilgendorff, born in Leverkusen-Opladen, Germany, is a musicologist and an accomplished violist. Currently, she serves as director of the international research project "New Music Festivals as Agorai..." at the University of Salzburg, Austria.

Dr. Heilgendorff studied Musicology, Philosophy, and Psychology (Dr. phil., Humboldt University Berlin/Germany) as well as Viola (Master of Music, Univ. of Michigan Ann Arbor/USA) in Freiburg, Zurich, Ann Arbor, and in Berlin. Her studies were funded by a scholarship from the foundation Evangelisches Studienwerk.

Since 1993, she has taught music at several colleges and universities with an emphasis on the blending of scholarly and artistic practice. From January 2007 to January 2013, she served as a University Professor of Applied Musicology and Head of the Department of Musicology at Klagenfurt University, Austria where she also led the study program in Applied Musicology (BA, MA). Most recently, Dr. Heilgendorff served as guest professor of Musicology at the University of Paderborn and the University of Music Detmold (from March to September 2013), as well as at the University of Music in Stuttgart, Germany.

Simone Heilgendorff is on the advisory board of the John Cage Organ Project in Halberstadt, Germany. In January 2011, she was nominated as member of the scientific board of the Oesterreichische Musikzeitschrift.

As an active violist, she is a founding member of the Berlin based Kairos Quartet which specializes in New Music.

Publications:

„New Music Festivals as Agorai: Their Formation and Impact on Warsaw Autumn, Festival d’Automne in Paris, and Wien Modern Since 1980“ [working title], with Katarzyna Grebosz-Haring, Luis Velasco-Pufleau, Monika Żyła, online publication, Hofheim/Taunus: Wolke Verlag (forthcoming).

Aspects of (Re-)Enactment in Recent Festival Performances of Contemporary Art Music, in: “New Music Theatre – work in/and progress” [working title], Studies in Musical Theatre (special issue), guest ed. David Roesner, LMU Munich (accepted, in preparation).

Projected Resonance: Tonal Dimensions of Microtonal Composition in Music by Georg Friedrich Haas, in: Tonality Since 1950; Felix Wörner, Ullrich Scheideler and Philip Rupprecht (ed.), Stuttgart: Steiner Verlag (in print).

Wien Modern, Festival d’Automne à Paris, and Warsaw Autumn after the year 2000 in a comparative perspective: European or national forums for contemporary art music and culture?, in: Between Universal and Local: From Modernism to Postmodernism, ed. Gregor Pompe, Nejc  Skúkljan, Frankfurt/Main: Peter Lang, 2016, pp. 253–266.

Visuelle Ansätze in der Musikforschung, essay in: Visualität. Kultur. Gesellschaft, ed. Jörg Helbig, Arno Rußegger and Rainer Winter, Cologne: Halem Verlag, 2014, pp. 132–161 (Klagenfurter Beiträge zur visuellen Kultur, Vol. 2).

“Il Vuoto“: Musik an der Schwelle. ) place ( von Giorgio Netti , in: “Ratio und Intuition. Wissen|s|kulturen und Geschlecht in Musik Theater Film” (interdisciplinary gender lecture series, Univ. f. Music a. performing arts, Vienna), ed. Andrea Ellmeier, Doris Ingrisch, and Claudia Walkensteiner-Prechtl, Vienna: Böhlau (mdw gender–wissen, vol. 4), 2013, pp. 59–94.

Neue Musik als populäre Kultur? Zur Interaktion zweier Sphären am Beispiel von John Cage, in: Ereignis und Exegese – Musikalische Interpretation; Interpretation der Musik (Festschrift für Hermann Danuser zum 65. Geburtstag), hg. v. Camilla Bork, Tobias Robert Klein, Burkhard Meischein u.a., Schliengen: Edition Argus, 2011, pp. 708–720.

„Glossolalic Voices. Political Ethos, Self-Awareness, and Play in Dieter Schnebel's Experimental Compositions of the 1960s and '70s“, in: http://searchnewmusic.org/ issue Winter 2009/10.

„Neue Live-Kulturen der westlichen Kunstmusik: für eine Rezeption musikalischer Interpretationen mit Körper und Ort", in: Musikrezeption, Musikdistribution und Musikproduktion. Der Wandel des Wertschöpfungsnetzwerks in der Musikindustrie, hg. v. Gerhard Gensch, Eva-Maria Stöckler, Peter Tschmuck, Wiesbaden: Gabler, 2009, pp. 109–137.

Other Publications

 

  • News
    Important dates and information regarding registration for courses at the Language Center during Summer Semester 2017.
    In the spring of 2017, the publication of Christian Doppler's essay "Vom farblicht der Doppelsterne" will be published for the 175th time. The first time, he laid down the foundations of his theory, which would be characterized in modern physics as the Doppler Effect. The well-known Austrian physicist Anton Zeilinger describes the Doppler Effect as a "millennium effect". When: Mondays, from 6 March, 2017. Time: 17:15 – 18:45. Where: Haus der Gesellschaftswissenschaften, Rudolfskai 42, Hörsaal.
    On 6 March, 2017, Nicole Meisner-Kober will hold a guest lecture on the topic "RNA pathologies, RNA drugs and exosomal RNA shuttles: Three tales on lessons learned from pharmaceutical RNA research" at 16:00 in the Grünen Hörsaal (403) of the NW Faculty. The Department of Molecular Biology invites you to attend!
    In four blocks, the question with regard to specific theological theology will be discussed in four blocks starting 7 March,2017, 14:30 - 18:00 in HS 103 of the Faculty of Catholic Theological (Universitätsplatz 1, Salzburg, 3rd floor).
    Anne Fleig (Berlin) will open the lecture series with, "Polemics and Gender. Constructions - Distinctions - Provocations", in the program of Art Polemic – Polemic Art, on 8 March, in the Unipark (18:00 -19:30, Erzabt-Klotz-Str. 1, E.002). www.w-k.sbg.ac.at/kunstpolemik-polemikkunst/aktuelles
    Public lecture series on Science and Art in the Unipark Nonntal, on Wednesdays from 18:00 19:30, with lecturers from different disciplines - www.w-k.sbg.ac.at/kunstpolemik-polemikkunst/aktuelles
    A lecture with Univ.-Prof. Dr. Juliana P. Perez, University of Sao Paolo at the Pedagogical College at Akademiestraße, 18:00.
    Conference at the Kunstquartier / 13:00 - 19:30 / Science and Art, Bergstr. 12a. Keynote at 18:00 / Ingeborg Harms (UdK, Berlin): Fashion in the rear-view mirror. Das Ende von Trend und Geschwindigkeit www.w-k.sbg.ac.at/kunstpolemik-polemikkuns
    Lecture series on revolutionary innovations and paradigm shift in linguistics. Wednesdays, 1800 -19:30.
    Geographical Colloquium: Lecture by Priv. Doz. Dr. Franz Dollinger, Land Salzburg - Spatial planning, Thursday, 9 March, 2017, at 17:00, HS 436, Faculty of Natural Sciences.
    Lecture with live music and discussion -15 March, 2017 | 19:30 | ARGEkultur SALZBURG, STUDIO - Ulrike-Gschwandtner-Strasse 5, 5020 Salzburg – ENTRANCE IS FREE!.
    Visiting lecturer on Monday, 27 March, 2017, at 18:30, Residenzplatz 1, Abguss-Sammlung SR E.33, Classical and Early Aegean Archeology. Lecturer: Univ.-Prof. Dr. Helmut Reimitz, University of Princeton (New Jersey); Department of History.
    On 5 April, 2017, Prof. Christian Neuhäuser (TU Dortmund) will give a public lecture on "Anhaltende Armut und die Grenzen des Wohlfahrtsstaates" at the Center for Ethics and Poverty Research.
    On10 April, 2017, Daniel Hebenstreit will hold a guest lecture on "The modern single life: stochastic modeling of individual cells and molecules" in the Grünen Hörsaal (403) of the NW Faculty at 16:00. The Department of Molecular Biology invites you to join us!
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  • 03.03.17

    Von der Wesensverwandtschaft zur gemeinsamen Rasse – die Transformation des neuhumanistischen Griechenbildes im altsprachlichen Unterricht der NS-Zeit
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