Foto_Simone Heilgendorff
Dr. Simone Heilgendorff Project Leader and Researcher on Festival "Wien Modern"
  • Erzabt-Klotzstraße 1, Room 2109
  • 5020 Salzburg
Tel:
+43 (0) 662 / 8044-4674
Fax:
+43 (0) 662 / 8044-4660
simone.heilgendorff@sbg.ac.at ConTempOhr at "Schwerpunkt Wissenschaft und Kunst"

Main focus of research: 

New (art) Music and music of the Baroque period, focusing on musical analysis, analysis of cultural connotations, performance practice, and the culture of musical interpretation.

Curriculum vitae:

Simone Heilgendorff, born in Leverkusen-Opladen, Germany, is a musicologist and an accomplished violist. Currently, she serves as director of the international research project "New Music Festivals as Agorai..." at the University of Salzburg, Austria.

Dr. Heilgendorff studied Musicology, Philosophy, and Psychology (Dr. phil., Humboldt University Berlin/Germany) as well as Viola (Master of Music, Univ. of Michigan Ann Arbor/USA) in Freiburg, Zurich, Ann Arbor, and in Berlin. Her studies were funded by a scholarship from the foundation Evangelisches Studienwerk.

Since 1993, she has taught music at several colleges and universities with an emphasis on the blending of scholarly and artistic practice. From January 2007 to January 2013, she served as a University Professor of Applied Musicology and Head of the Department of Musicology at Klagenfurt University, Austria where she also led the study program in Applied Musicology (BA, MA). Most recently, Dr. Heilgendorff served as guest professor of Musicology at the University of Paderborn and the University of Music Detmold (from March to September 2013), as well as at the University of Music in Stuttgart, Germany.

Simone Heilgendorff is on the advisory board of the John Cage Organ Project in Halberstadt, Germany. In January 2011, she was nominated as member of the scientific board of the Oesterreichische Musikzeitschrift.

As an active violist, she is a founding member of the Berlin based Kairos Quartet which specializes in New Music.

Publications:

„New Music Festivals as Agorai: Their Formation and Impact on Warsaw Autumn, Festival d’Automne in Paris, and Wien Modern Since 1980“ [working title], with Katarzyna Grebosz-Haring, Luis Velasco-Pufleau, Monika Żyła, online publication, Hofheim/Taunus: Wolke Verlag (forthcoming).

Aspects of (Re-)Enactment in Recent Festival Performances of Contemporary Art Music, in: “New Music Theatre – work in/and progress” [working title], Studies in Musical Theatre (special issue), guest ed. David Roesner, LMU Munich (accepted, in preparation).

Projected Resonance: Tonal Dimensions of Microtonal Composition in Music by Georg Friedrich Haas, in: Tonality Since 1950; Felix Wörner, Ullrich Scheideler and Philip Rupprecht (ed.), Stuttgart: Steiner Verlag (in print).

Wien Modern, Festival d’Automne à Paris, and Warsaw Autumn after the year 2000 in a comparative perspective: European or national forums for contemporary art music and culture?, in: Between Universal and Local: From Modernism to Postmodernism, ed. Gregor Pompe, Nejc  Skúkljan, Frankfurt/Main: Peter Lang, 2016, pp. 253–266.

Visuelle Ansätze in der Musikforschung, essay in: Visualität. Kultur. Gesellschaft, ed. Jörg Helbig, Arno Rußegger and Rainer Winter, Cologne: Halem Verlag, 2014, pp. 132–161 (Klagenfurter Beiträge zur visuellen Kultur, Vol. 2).

“Il Vuoto“: Musik an der Schwelle. ) place ( von Giorgio Netti , in: “Ratio und Intuition. Wissen|s|kulturen und Geschlecht in Musik Theater Film” (interdisciplinary gender lecture series, Univ. f. Music a. performing arts, Vienna), ed. Andrea Ellmeier, Doris Ingrisch, and Claudia Walkensteiner-Prechtl, Vienna: Böhlau (mdw gender–wissen, vol. 4), 2013, pp. 59–94.

Neue Musik als populäre Kultur? Zur Interaktion zweier Sphären am Beispiel von John Cage, in: Ereignis und Exegese – Musikalische Interpretation; Interpretation der Musik (Festschrift für Hermann Danuser zum 65. Geburtstag), hg. v. Camilla Bork, Tobias Robert Klein, Burkhard Meischein u.a., Schliengen: Edition Argus, 2011, pp. 708–720.

„Glossolalic Voices. Political Ethos, Self-Awareness, and Play in Dieter Schnebel's Experimental Compositions of the 1960s and '70s“, in: http://searchnewmusic.org/ issue Winter 2009/10.

„Neue Live-Kulturen der westlichen Kunstmusik: für eine Rezeption musikalischer Interpretationen mit Körper und Ort", in: Musikrezeption, Musikdistribution und Musikproduktion. Der Wandel des Wertschöpfungsnetzwerks in der Musikindustrie, hg. v. Gerhard Gensch, Eva-Maria Stöckler, Peter Tschmuck, Wiesbaden: Gabler, 2009, pp. 109–137.

Other Publications

 

  • News
    On 22 March, 2017, the first "Alumni Lecture" took place during the series of Salzburg Lectures. In doing so, outstanding graduates from the University of Salzburg were invited to comment on current topics.
    On 10 April, 2017, Daniel Hebenstreit will hold a guest lecture on "The modern single life: stochastic modeling of individual cells and molecules" in the Grünen Hörsaal (403) of the NW Faculty at 16:00. The Department of Molecular Biology invites you to join us!
    Bart Simpsons butt, the three pigs and even a live ultrasound examination were experienced on stage. In the ARGEculture, which has been completely rebuilt, the spectrum of topics ranged from anthropology to neurolinguistics to wood chemistry. Our consumption behavior was analyzed, as well as our speech tools. A well-preserved and highly informative household book from Mozart's time and a picture of Bansky were objects on hand.
    Pinzgauer! Heroes - Fools - Pioneers / Portraits from the Province
    At the W&K events, experts are invited to present interesting information on the topic.
    The question of Theological Theology is discussed in four blocks, from 2:30 to 18:00 in HS 103 of the Catholic Theological Faculty (Universitätsplatz 1, Salzburg, 3 OG). Next event: Tues., 4 April, 2017.
    W & K Forum. Tuesday, 4 April, 2017, 19:00 - 20:30, DAS KINO, Gewölbe, Giselakai 11, Salzburg. Filmscreening and conversation with the artist Oliver Ressler. Interviewer: Karolina Radenković, Galerie 5020. Controversies with migration and flight play a central role in contemporary artistic positions, including the work of the Austrian artist and filmmaker Oliver Ressler.
    On 5 April, 2017, Prof. Christian Neuhäuser (TU Dortmund) will give a public lecture on "Anhaltende Armut und die Grenzen des Wohlfahrtsstaates" at the Center for Ethics and Poverty Research.
    The starting point of the guest lecture is a simple statement and a complex question: the Philosophical Society in Salzburg in cooperation with the Salzburg Working Group for Psychoanalysis (SAP)
    The University Chamber Choir Collegium Musicum Salzburg invites you to the Passion Concert in the Parish Church of Itzling on Friday, 7 April, 19:30.
    Symposium. Wednesday, 17 May, 2017, 14:00 - 19:30, W & K Atelier. Organization & Moderation: Siglinde Lang / Sandra Chatterjee. To be able to participate actively in shaping one's own life is regarded as a fundamental right of civil society and includes the right to cultural participation. But is this participation made use of and fully utilized?
  • Veranstaltungen
  • 28.03.17 FWF Informationstag 2017
    28.03.17 Kulturmanagement in der Migrationsgesellschaft
    28.03.17 Kanonische Texte
    28.03.17 Buchpräsentation mit Walter Thaler
    29.03.17 Schreib- und Kreativitätstechniken für Projektanträge
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