Foto Luis Velasco Pufleau
Dr. Luis Velasco Pufleau Postdoc Researcher on Festival d'Automne à Paris
  • Erzabt-Klotzstraße 1, Room 2109
  • 5020 Salzburg
Tel:
+43 (0) 662 / 8044-4656
Fax:
+43 (0) 662 / 8044-4660
luis.velasco-pufleau@sbg.ac.at www.luisvelasco-pufleau.org

Main focus of research:

Music and Musicology in the 20th and 21st centuries; Politics and Aesthetics of Music (aesthetics of improvised musical practices; music and symbolic politics in authoritarian, totalitarian, and democratic regimes; music and armed conflicts); Electroacoustic Music Analysis; Tracking the creative process in music

Curriculum Vitae: 

EDUCATION:

Academic degrees

2011 PhD. Music and Musicology, Paris-Sorbonne University. Dissertation: "Music, antifascism and authoritarianism: the work of Silvestre Revueltas in the context of the Spanish Civil War" ("Musique, antifascisme et autoritarisme : l’œuvre de Silvestre Revueltas dans le contexte de la Guerre civile espagnole")

"Mention": Très honorable avec félicitations du jury à l’unanimité

Research advisors: Pr. Jean-Yves Bosseur (CNRS - Paris Sorbonne), Pr. Julio Estrada (UNAM)

Jury panel:  Pr. Jean-Yves Bosseur (CNRS - Paris Sorbonne), Pr. Julio Estrada (IIE - UNAM), Pr. Jean Marc Chouvel (Paris Sorbonne University), Pr. Reinhard Flender (Hamburg University), Pr. Olga Picún (UNAM)

2006 MA Music - Arts, Bordeaux 3 University. Thesis: "La construction de l’identité culturelle au Mexique et l’avant-garde stridentiste".

2005 MA Music (Ethnomusicology), Bordeaux 3 University. Thesis: "Le chant rituel du mara’akame et la cosmovision huichole".

Music degrees

2008 Professor certification (Diplôme d’État) in Music – Guitar, Culture Ministry, France. Advanced guitar degree, (Diplôme de perfectionnement – guitare), Agen Conservatory.

2005 Diplôme d’Études Musicales (DEM) guitar and contemporary chamber music, Paris XVI Conservatory & Bordeaux Conservatory.

2000 Music degree – Guitar, University of Guadalajara, Mexico.

ACADEMIC POSITIONS:

2013-2016 Postdoctoral research fellow at University of Salzburg, Division of Music and Dance Studies. Research project: "New Music Festivals as Agorai: Their Formation and Impact on Warsaw Autumn, Festival d’Automne in Paris, and Wien Modern Since 1980." Scientific director: Dr. Simone Heilgendorff.

2012 Postdoctoral research fellow at École des Hautes Études en Sciences Sociales (CRAL/EHESS, Paris). Research project: "Music, censorship and symbolic politics in authoritarian and totalitarian regimes." Scientific advisor: Pr. Esteban Buch (CRAL/EHESS).

CURRENT TEACHING ACTIVITIES:

2011/2013 Part-time lecturer at Bordeaux University (Arts Department). Courses: Introduction to Computer Music, Music theory, Cultural History of the 20th Century (Relationship between Politics and Artistic Production).

Publications:

2016

"Commandes et collaborations créatives: le rôle de l'interprète dans les processus de composition musicale", Circuit. Musiques contemporaines, vol. 26, n° 3, 2016 (in preparation).

2015

“Réseaux collaboratifs et création musicale”, Figures de l’art, no 30, 2015, pp. 83-94.

“Après les attaques terroristes de l'État islamique à Paris. Enquête sur les rapports entre musique, propagande et violence armée”, Transposition. Musique et sciences sociales, no 5, 2015, (online: http://transposition.revues.org/1327).

“One says Mexico: the Mexican soundscapes of Stefano Scodanibbio”, Glissando, n° 26, 2015, p. 117-122 (http://glissando.pl/en/issues/26-26-2015).

2014

“Reflections on Music and Propaganda”, Contemporary Aesthetics, vol. 12, 2014, (online: http://quod.lib.umich.edu/c/ca/7523862.0012.007?view=text;rgn=main).

“Conflits armés, idéologie et technologie dans Für Paul Dessau de Luigi Nono”, Transposition. Musique et sciences sociales, no 4, 2014, (online: http://transposition.revues.org/1060).

“Chansons humanitaires, dépolitisation des conflits et moralisation des relations internationales à la fin de la Guerre froide”, Relations Internationales, no 156, 2014, p. 109-123 (http://www.cairn.info/resume.php?ID_ARTICLE=RI_156_0109).

“Réflexions sur les rapports entre musique et propagande”, in Music and Propaganda in the Short Twentieth Century, Massimiliano Sala (ed.), Turnhout, Brepols, 2014, p. 3-15.

2013

“The Spanish Civil War in the work of Silvestre Revueltas”, in Music and Francoism, Gemma Pérez Zalduondo and Germán Gan Quesada (eds.), Turnhout, Brepols, 2013, p. 321-347.

2012

“Autoritarisme, politique symbolique et création musicale. Stratégies de légitimation symbolique dans le Mexique postrévolutionnaire et le Nigeria postcolonial”, Revue internationale de politique comparée, vol. 19, no 4, 2012, p. 15-40.

“Réflexions sur l’improvisation et l’implication sociale de l’enseignement musical. Dialogue avec Jean-Yves Bosseur”, Critical Studies in Improvisation / Études critiques en improvisation, vol. 8, no 1, 2012, University of Guelph (online : http://www.criticalimprov.com/article/view/1731).

“Nationalism, Authoritarianism and Cultural Construction: Carlos Chávez and Mexican Music (1921-1952)”, Music and Politics, vol. 6, no 2, 2012 (http://dx.doi.org/10.3998/mp.9460447.0006.203). 

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