Foto_Simone Heilgendorff
Dr. Simone Heilgendorff Project Leader and Researcher on Festival "Wien Modern"
  • Erzabt-Klotzstraße 1, Room 2109
  • 5020 Salzburg
Tel:
+43 (0) 662 / 8044-4674
Fax:
+43 (0) 662 / 8044-4660
simone.heilgendorff@sbg.ac.at ConTempOhr at "Schwerpunkt Wissenschaft und Kunst"

Main focus of research: 

New (art) Music and music of the Baroque period, focusing on musical analysis, analysis of cultural connotations, performance practice, and the culture of musical interpretation.

Curriculum vitae:

Simone Heilgendorff, born in Leverkusen-Opladen, Germany, is a musicologist and an accomplished violist. Currently, she serves as director of the international research project "New Music Festivals as Agorai..." at the University of Salzburg, Austria.

Dr. Heilgendorff studied Musicology, Philosophy, and Psychology (Dr. phil., Humboldt University Berlin/Germany) as well as Viola (Master of Music, Univ. of Michigan Ann Arbor/USA) in Freiburg, Zurich, Ann Arbor, and in Berlin. Her studies were funded by a scholarship from the foundation Evangelisches Studienwerk.

Since 1993, she has taught music at several colleges and universities with an emphasis on the blending of scholarly and artistic practice. From January 2007 to January 2013, she served as a University Professor of Applied Musicology and Head of the Department of Musicology at Klagenfurt University, Austria where she also led the study program in Applied Musicology (BA, MA). Most recently, Dr. Heilgendorff served as guest professor of Musicology at the University of Paderborn and the University of Music Detmold (from March to September 2013), as well as at the University of Music in Stuttgart, Germany.

Simone Heilgendorff is on the advisory board of the John Cage Organ Project in Halberstadt, Germany. In January 2011, she was nominated as member of the scientific board of the Oesterreichische Musikzeitschrift.

As an active violist, she is a founding member of the Berlin based Kairos Quartet which specializes in New Music.

Publications:

„New Music Festivals as Agorai: Their Formation and Impact on Warsaw Autumn, Festival d’Automne in Paris, and Wien Modern Since 1980“ [working title], with Katarzyna Grebosz-Haring, Luis Velasco-Pufleau, Monika Żyła, online publication, Hofheim/Taunus: Wolke Verlag (forthcoming).

Aspects of (Re-)Enactment in Recent Festival Performances of Contemporary Art Music, in: “New Music Theatre – work in/and progress” [working title], Studies in Musical Theatre (special issue), guest ed. David Roesner, LMU Munich (accepted, in preparation).

Projected Resonance: Tonal Dimensions of Microtonal Composition in Music by Georg Friedrich Haas, in: Tonality Since 1950; Felix Wörner, Ullrich Scheideler and Philip Rupprecht (ed.), Stuttgart: Steiner Verlag (in print).

Wien Modern, Festival d’Automne à Paris, and Warsaw Autumn after the year 2000 in a comparative perspective: European or national forums for contemporary art music and culture?, in: Between Universal and Local: From Modernism to Postmodernism, ed. Gregor Pompe, Nejc  Skúkljan, Frankfurt/Main: Peter Lang, 2016, pp. 253–266.

Visuelle Ansätze in der Musikforschung, essay in: Visualität. Kultur. Gesellschaft, ed. Jörg Helbig, Arno Rußegger and Rainer Winter, Cologne: Halem Verlag, 2014, pp. 132–161 (Klagenfurter Beiträge zur visuellen Kultur, Vol. 2).

“Il Vuoto“: Musik an der Schwelle. ) place ( von Giorgio Netti , in: “Ratio und Intuition. Wissen|s|kulturen und Geschlecht in Musik Theater Film” (interdisciplinary gender lecture series, Univ. f. Music a. performing arts, Vienna), ed. Andrea Ellmeier, Doris Ingrisch, and Claudia Walkensteiner-Prechtl, Vienna: Böhlau (mdw gender–wissen, vol. 4), 2013, pp. 59–94.

Neue Musik als populäre Kultur? Zur Interaktion zweier Sphären am Beispiel von John Cage, in: Ereignis und Exegese – Musikalische Interpretation; Interpretation der Musik (Festschrift für Hermann Danuser zum 65. Geburtstag), hg. v. Camilla Bork, Tobias Robert Klein, Burkhard Meischein u.a., Schliengen: Edition Argus, 2011, pp. 708–720.

„Glossolalic Voices. Political Ethos, Self-Awareness, and Play in Dieter Schnebel's Experimental Compositions of the 1960s and '70s“, in: http://searchnewmusic.org/ issue Winter 2009/10.

„Neue Live-Kulturen der westlichen Kunstmusik: für eine Rezeption musikalischer Interpretationen mit Körper und Ort", in: Musikrezeption, Musikdistribution und Musikproduktion. Der Wandel des Wertschöpfungsnetzwerks in der Musikindustrie, hg. v. Gerhard Gensch, Eva-Maria Stöckler, Peter Tschmuck, Wiesbaden: Gabler, 2009, pp. 109–137.

Other Publications

 

  • News
    "PISA, TIMSS & Co and the Consequences": How can we work with results of international educational research in teacher education?
    Human life takes place in time, as well as in space. Spaces are considered the third educators and are often underestimated pedagogically. The lectures and working groups of the 67th International Educational Work Meeting, being held 9 -13 July, in Salzburg, will discuss this topic among others such as: in which living spaces do children grow up today? How do we deal with digital spaces? Which spaces are particularly relevant pedagogically? What about inner spaces, imaginations and fantasies?
    Rita Grandori will give a guest lecture on the topic, "Protein conformational transitions and intermolecular interactions by native mass spectrometry and complementary biophysical methods" at 16:00 on 27 June, 2018 in the Hörsaal 403 of the NW-Faculty. The Department of Life Sciences invites you to join!
    Herr PD Dr. Reinhard Jung (Austrian Academy of Sciences, OREA) will give a lecture on 26 June on "Mykenisches Griechenland und Italien: verschiedene Arten des Gebens und Nehmens". Time: 18:30 - Location: Abguss-Sammlung SR E.33, Residenzplatz 1.
    Romana Limberger will give a guest lecture on "Food Webs in Changing Environments" at 14:00 on 29 June, 2018, in Hörsaal 421 of the NW faculty. The Department of Life Sciences invites you to join!
    Thanks to a generous legacy on the part of Mr. Kurt Zopf, the University of Salzburg is awarding the Kurt Zopf Prize for Habilitation, endowed with 10,000 Euros, to the qualifying university professors. This year's competition is aimed at the fields of science, human medicine and technical sciences.
    Christoph Czerwenka will hold a guest lecture on 27 June, 2018, at 14:00 in Hörsaal 403 of the NW-Faculty on the topic, "Food Contaminants - Constant New Challenges for the Analytical Chemist". The Department of Life Sciences invites you to join!
    The 6th Salzburg Summer School will take place from 3 to 4 September, 2018. For two days, a comprehensive pedagogical summer education program will be offered to teachers and student teachers of all types of schools and subjects. Registration is possible.
    Peter Kaufmann will hold a guest lecture on 22 June, 2018, at 14:00 in Hörsaal 421 of the NW-Faculty on "Herpetological projects at the Haus der Natur: From data management to nature conservation to population ecology studies". The Department of Life Sciences invites you to join!
    Satyr choir versus "loneliest song". On Nietzsche's aesthetics of the choral.
    Dr. Julia Krivoruchko (Cambridge) - Thu 21.6.2018, 18:00 c.t., Room 3.443 (Unipark)
    The History Schoolbook: Learning - Teaching - Researching.
    From Hortus Medicus to Pharma Research. An exhibition of the Association of Botanical Gardens 2018.
    This Aniversary Year, the KinderUNI is looking for those who participated at the very beginning of the program! Who attended the first KinderUNIs here in Salzburg in 2004 or 2006?
    Friday, 8 June: 09:45 KEYNOTE: Eliot Borenstein (New York): Plots Against Russia: Conspiracy, Sincerity, and Propaganda // 17:30 ROUND TABLE: Why Do Conspiracy Theories Thrive in Post-Soviet Russia? with Alexander Panchenko, Konstantin Bogdanov, Sergey Shtyrkov, Svetlana Tambovtseva (St. Petersburg) // Erzabt-Klotz-Str. 1, FB Slavic Studies, 3rd floor.
    From now until 3 July is the registration period for the ditact_women's IT Summer School of the University of Salzburg, which will take place from 20 August to 1 September, 2018, at the Unipark Nonntal and at the Fachhochschule Salzburg.
    Education on the subject of Summer School 4 - 5 July, 2018
    DANIEL FULDA (Martin-Luther-University Halle-Wittenberg) concludes the public lecture series, LEGALIZATION AND DISCLOSURE: RELIGIOUS POLEMIK AGAINST ART - ARTISTIC POLEMIK AGAINST RELIGION, on 27 June at 18:00 in the Unipark Nonntal with his lecture on meaning and the search for meaning in the literature of the German Enlightenment. http://www.w-k.sbg.ac.at/de/kunstpolemik-polemikkunst
  • Veranstaltungen
  • 21.06.18 7. Nachtschicht@UBS
    21.06.18 50 Jahre Soziologie in Salzburg
    21.06.18 50 Jahre Soziologie in Salzburg
    21.06.18 Info-Veranstaltung Psychotherapeutisches Propädeutikum
    21.06.18 Ungreifbare Materien - Zu Farbe und Klang in der Kunst (James Turrell, Morton Feldman)
    21.06.18 Bilder - Zeichnungen - Stahlobjekte • Christiane Pott-Schlager
    22.06.18 Kapitalismus 4.0: Digitalisierung - Finanzkapital - Alternativen
    26.06.18 Kanonische Texte
    26.06.18 Mykenisches Griechenland und Italien: verschiedene Arten des Gebens und Nehmens
    26.06.18 Satyrchor contra „einsamstes Lied“. Zu Nietzsches Ästhetik des Chorischen
    27.06.18 "Ich weiß nicht, ob dieser Glaube die Leute glücklich macht." Sinnfülle und Sinnsuche in der Literatur der deutschen Aufklärung
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